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An elusive figure, full of ideas that have provoked scandals, Pierre Henry, born in 1927 in Paris, nevertheless followed a conventional career path. He attended the Conservatoire Supérieur de Paris, studied with Olivier Messiaen and Nadia Boulanger and trained as an orchestral musician (percussionist and pianist). But since his childhood he always felt the need to assemble and ...
皮埃·亨利 用贝多芬九部交响曲做了一个声音词典,然后作他的《第十交响曲》,半个世纪的具象音乐史还是单薄,用了乐音甚至是电子舞曲做素材,现场观众还是一脸懵懂不知所谓。
虽然有小瑕疵,但整体诚意满满值得支持。
群像戏特别精彩,每个配角都立体鲜活。
编剧脑洞大开,设定既新奇又合情合理。
Éric Darmon,Franck Mallet拍的的《皮埃尔-亨利:声音的艺术 Pierre Henry: The Art of Sounds》,从剧情风格到配色配音我本人并不太喜欢,但不得不说,会抄也是一种本事,《皮埃尔-亨利:声音的艺术 Pierre Henry: The Art of Sounds》至少比某些天马行空胡乱自创影楼装服饰满天飞的剧要好的多。
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